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Example: Brokeback Mountain, Titanic, West Side Story, Romeo & Juliet
Mechanics: External social, familial, or legal prohibition. The obstacle is not internal flaw but a hostile world. Often ends tragically or requires escape/transformation.
Function: Critiques social structures (class, race, sexuality, clan). The romance becomes political.

[ ] Does each character have a distinct voice and goal outside the romance?
[ ] Is there a scene of genuine conflict that isn’t a simple misunderstanding?
[ ] Does the external plot (war, heist, competition) force romantic decisions?
[ ] Would the story still be interesting if the romance were removed? (If no, add a secondary plot.)
[ ] Does the ending earn the emotion? (No shortcuts.)
[ ] Have you avoided fridging (killing a side character just to motivate the romance)?