In a hidden interdimensional arena where enslaved heroes are forced to fight for cosmic amusement, Wonder Woman and Zatanna must break the psychic shackles that bind them and unite against a feral, god-killing beast before they become its next meal.
: For a more collaborative "team-up" dynamic, the run by James Tynion IV with art by Alvaro Martinez Bueno is widely considered the gold standard for these two. slave crisis arena wonder woman and zatanna v best
They left the arena knowing it would not be the last time such a contest was staged. But they had proved something vital: that the combination of law held to its ideals, magic used to show truth, and the simple will of a person could break even the most cunning of chains. The Lasso of Lies: Deconstructing the “Slave Crisis
Diana recognized a tactic she had seen in other courts: the erosion of rights through the accumulation of small, plausible exceptions. So she changed the battlefield: instead of attacking Best's spells, she targeted the heart of the crowd’s appetite. She called forward the spectators who had cheered the loudest, those who’d traded empathy for entertainment. "You are not guests at this killing," she said. "You are the jury. If this arena remains a house of bargains for tyranny, it will be because you let it." The Combat Phase: Diana engages "The Best" directly,
