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The 2008 miniseries , directed by Luiz Fernando Carvalho , is widely regarded as a landmark in Brazilian television for its "transcreation" of Machado de Assis's Dom Casmurro
When Brazilian director Luiz Fernando Carvalho adapted Machado de Assis’s masterpiece Dom Casmurro into the 2008 microseries Capitu , he committed an act of radical literary translation. Unlike conventional adaptations that treat Bentinho’s narration as fact, Carvalho’s series dismantles the unreliable narrator’s monopoly on truth. In this context, the character of Escobar—Bentinho’s best friend and the alleged lover of Capitu—is reborn. Played with magnetic ambiguity by Luís Fernando de Carvalho, this Escobar is not merely a villain or a phantom of jealousy; he is the axis around which the question of the series turns: Seriado Capitu - Luis Fernado de Carvalho
Many pieces in the series are not complete faces. Carvalho often cuts the canvas with geometric shadows, hiding one side of Capitu’s face. This visual trick symbolizes the : the woman Bento loved and the adulteress he invented. The viewer is forced to choose which half to believe. The 2008 miniseries , directed by Luiz Fernando
While visually radical, it is considered one of the most faithful adaptations of Machado’s spirit and prose. Was there betrayal, or was there only the gaze of paranoia
