Robert Planel Trumpet Concerto Pdf ((new)) ❲2027❳
Concerto pour trompette et orchestre à cordes
Robert Planel's (1966) is a three-movement work dedicated to legendary trumpeter Maurice André . Known for its refined harmonies influenced by Debussy and Ravel, the concerto is a staple of 20th-century trumpet repertoire. Performance & Study Materials
Level:
It is considered a Difficulty Level 5 work on standard repertoire lists, often recommending the use of a C Trumpet . robert planel trumpet concerto pdf
Some users have uploaded segments or full trumpet parts for viewing on document-sharing sites like , though these may not be official authorized versions. Hal Leonard Concerto Overview Concerto pour trompette et orchestre à cordes Robert
- Endurance: The piece is nearly 10-12 minutes long with minimal rest.
- Range: Frequent passages in the high C to E-flat range.
- Articulation: Requires clean single, double, and slurred tonguing at high speed.
- Intonation: The modally shifting harmonies demand a precise ear.
Robert Planel’s Concerto for Trumpet and Piano (originally for Trumpet and String Orchestra) is a staple of the mid-20th-century French trumpet repertoire. Composed in Endurance: The piece is nearly 10-12 minutes long
16 minutes
For trumpeters looking to master this work, digital versions of the solo part can occasionally be found for study on platforms like Scribd , though performers should acquire the official sheet music for public performance. The concerto has a duration of approximately and is typically performed on the C or B-flat trumpet.
metrical changes
The opening movement is characterized by its energy and frequent . It begins with a broad introduction before moving into a lively dialogue between the soloist and the string orchestra. The trumpet writing here is athletic, requiring precise articulation and rhythmic flexibility. II. Lent et calme
Unlike his more famous contemporaries (like Henri Tomasi or André Jolivet), Planel did not chase atonality or avant-garde shock value. Instead, he crafted music of lyrical warmth, clear structure, and Gallic charm. He served as the director of the conservatories in Saint-Étienne, Nancy, and eventually the École Normale de Musique in Paris.
