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In the vast, ever-expanding library of world cinema, certain films fall through the cracks. They are neither obscure enough to be forgotten nor mainstream enough to appear on every streaming service. Bernardo Bertolucci’s is precisely such a film. Decades after its controversial debut, a new generation of cinephiles is discovering this twisted, operatic drama—not on Netflix or Criterion Channel, but on the surprising platform of OK.ru (Odnoklassniki).