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This paper examines Aditya Kripalani’s Jaoon Kahan Bata Ae Dil (2018) as a subversion of the traditional Bollywood romance genre. By utilizing a real-time, single-take narrative structure, the film exposes the toxicity lurking beneath the surface of modern urban relationships. Through a close reading of the film’s cinematography, dialogue, and gender dynamics, this analysis explores how the film deconstructs the "meet-cute" trope, presenting a claustrophobic portrait of a relationship held together by mutual dependence and spite rather than love. Jaoon Kahan Bata Ae Dil -Lovefucked...