As Bestas Rodrigo Sorogoyen |top| ❲VALIDATED – 2025❳

The Unflinching Gaze of Rodrigo Sorogoyen: Unpacking the Depth of "As Bestas"

The film is noted for its high-tension "modern noir" style, particularly in scenes like the bar confrontations and the harrowing climax in the woods. My 2023: A Year Interrupted | Nobody Knows Anybody

• Sorogoyen, R. (2022). As Bestas [Film]. Caballo Films, Le Pacte.
• Entrevista a Rodrigo Sorogoyen en El País (2022): “Los monstruos no son los hermanos, es el territorio.”
• Gutiérrez, J. M. (2023). “Rural Violence in Contemporary Spanish Cinema.” Studies in European Cinema, 20(1).
• Santaolalla, I. (2020). Land, Gender, and Belonging in Recent Spanish Film. Routledge.
• Zunzunegui, S. (2021). Otras geografías: El paisaje en el cine español contemporáneo. Cátedra.

1. , a Galician tradition where villagers wrestle wild horses to shear their manes. This ritual serves as a haunting opening sequence and a recurring allegory for the "domination via violence" that permeates the film’s central conflict. It questions whether humans, despite our masks of civility, are ever truly better than the animals we seek to tame. Critical Acclaim and Awards as bestas rodrigo sorogoyen

   As Bestas is not merely a thriller; it is a profound tragedy about the impossibility of coexistence when survival is at stake. Rodrigo Sorogoyen strips away romantic notions of countryside life to reveal the primal conflicts that simmer beneath the soil. By refusing to paint heroes or villains, he creates a mirror for contemporary tensions—between nations, classes, and ecologies. The final shot of Olga, standing alone in the muddy field as the villagers go about their business, is one of the most devastating endings in recent cinema. It asks a simple, haunting question: Who are the real beasts? The Unflinching Gaze of Rodrigo Sorogoyen: Unpacking the

   Sorogoyen is a master of pacing, and As Bestas functions as a slow-burn thriller that eventually explodes into visceral violence. Unlike standard Hollywood thrillers, the tension here is built not through action set pieces, but through uncomfortable silences, passive-aggressive interactions, and the crushing weight of the environment. Sorogoyen, R

   • The guard dogs, cows, wild animals – but symbolically to the humans.
   • The “beast” as the will to defend one’s land against outsiders.